the lace museum, Calais

My friend Ksenia recently went to the north of France and visited the lace museum in Calais. She posted the following pictures on facebook with this message:

AMI, THESE PICS I MADE ESPECIALLY 4 U =)
HOPE U ENJOY THEM
this is the lace museum at Calais, the north of France, where lace manufacturing has been traditional 4 centuries, and in the end - vintage models of dresses and underwear of couturiers that now are legends

I thought I would share them with you since they are so beautiful.

Lace as you please (1852-1870)
Industrial progress and the expansion of colonial possessions made the Second Empire a period of prosperity. The bourgeoisie, growing fast, wanted to show off its social and economic success. Feminine dress became the visible symbol of masculine success. Lace found price of place on dresses, which gradually increased in size, as well as on the multitude of accessories that propriety recommended using.

I love the merriwidow hiding on the left.





Check out this link for an english article about the museum that includes some history of lace making in Calais (it was actually smuggled in by lacemakers from Nottingham, England) and some images of some very nice lingerie!

"In defense of happiness"

I have to link to this post by Rebecca of Girls Gone Child. it is probably the greatest, most inspiring thing I have ever read. If you have ever doubted yourself, as an artist, as a person, as a human, you should read it. And realize you can't ever be anyone except who you are. And that is a good thing.

Welcome Back!

Hi Everyone! I am back from my travels and I know I have been slacking in my posting seeing as I haven't posted anything on either blog yet. Bear with me though I have lots I want to share including the spoils of my Get Out of Re-Fashionista Jail Card (yes. i went shopping in Israel) and the shirt I have been working on and some knitting. I am having some issues with downloading pictures right now since my computer memory is mostly full and my external hard drive and my computer are no longer getting along so it will be a bit longer.

BUT i cam across this today and had to share with you. I haven't looked at it too in depth yet but looks like an interesting project.
Garment Industry History Initiative

let me know your thoughts and hopefully I will have a real post for next week.

the tartans and plaids discussion continues...

I actually finished this bag before christmas but I put it to use right away and the holidays were kind of busy... I am incredible pleased with it even though it looks exactly like my high school uniform! I picked up the fabric when I bought the fabric for the Homely Heroine dress. I will post about that shortly and it is next on my sewing list. The fabric is a poly/rayon blend. Not my first choice but it does have nice drape which is good for a dress. The bag is pilling a bit where it rubs against my coat but it is holding up well otherwise and I put my bags through lots of abuse. It is lined in a forest green and I added a big divider type pocket and some organizer pockets on the inside. I like the design so much i want to make another one. I am thinking a snakeskin print interior design fabric so it is a little more sturdy and more season neutral. I really like snakeskin bags. i need to make a few adjustments to the pattern and construction so it is a little simpler to finish but other than that it came out perfect on the first try (though my plaid matching is a little off).

Please click the title of this post for more information on tartans and plaids. The plaid here is Black Watch.

the Gap window says it is 20 colors of spring. my thermometer says it is -10 F...and that's the high for the week...

I recently read this post by needled. It was so inspiring on so many levels. As someone who has studied Fashion and worked as a seamstress I am aware of how much waste there is in the fashion and textile industries. The textile industry is also very hazardous to its workers health. I have always been one to enjoy quality vs. quantity but as I became a college student and then a person who had a very difficult time finding a job-or a direction for that matter- my "fashion" budget has been... lets say very low for the past several years. Not being in school anymore has lead me to want to look nicer. I am not spending all of my time in a Darkroom where I can spill chemicals all over myself and ruin "nice" clothes so now i actually want "nice" clothes. I had recently decided that since I have more time to spend on myself that the best way to get clothes that I love and will fit and I will wear out is to make them myself. Then I read the above mentioned article. I don't feel like I can make a commitment to not buying anything-there are too many things in my closet that need severe repairs or alterations along with too many things i simply do not like- but already having decided to make a good number of things for myself i do feel comfortable trying to push it a little further. If i do make a purchase I will buy the best that i can afford and only buy something I love and not settle for mediocrity. I am also inspired to try to organize a sort of regular knitting/sewing meet up. A way to share what I know about making, altering and mending clothing as well as a chance to be social. I think that the current economy is pushing more people to return to a simpler way of life where you have to use it up, wear it out or make it do.

While I have stepped out of the world of high fashion in the past several years and have recently made a few attempts to get reacquainted I think I could never be a slave to fashion. My morals and ideals for this life have just been set too high to live by the standards that industry has set. I wish for a return of the smaller dressmaking houses like Martha, like what Charles Worth was in his day. Expert people who created not just fashion but a wearable work of art based solely on the level of technique and construction involved in each piece. A wish for a mass understanding of what it takes to create something, anything, from an idea and image in your head to a material object that sits in front of you. All done by someone's hand. The problem with this wish in today's world is that object now created becomes very difficult to throw away. One must create with a purpose to make something special.

The dart and the hem are the first and the last steps respectively when putting together a garment and so encompass every other step taken when making a garment. So here we are at the beginning...